Religion and ethics - Casino High School

casino christian school facebook

casino christian school facebook - win

My Dad and some Q shit he got sucked into

Both of my parents gladly voted for trump both times. They're conservative evangelical christians worried about taxes. Nothing special but their religous inclinations make them prime candidates for any conspiracy really though.
Got this little diddy from my father at 6 am.
Below written by Newt Gingrich A smart friend of mine who is a moderate liberal asked why I was not recognizing Joe Biden’s victory. The friend made the case that Mr. Biden had gotten more votes, and historically we recognize the person with the most votes. Normally, we accept the outcome of elections just as we accept the outcomes of sporting events. So, my friend asked why was 2020 different? Having spent more than four years watching the left “resist” President Donald Trump and focus entirely on undoing and undermining the 2016 election, it took me several days to understand the depth of my own feelings. As I thought about it, I realized my anger and fear were not narrowly focused on votes. My unwillingness to relax and accept that the election grew out of a level of outrage and alienation unlike anything I had experienced in more than 60 years involvement in public affairs. The challenge is that I — and other conservatives — are not disagreeing with the left within a commonly understood world. We live in alternative worlds. The left’s world is mostly the established world of the forces who have been dominant for most of my life. My world is the populist rebellion which believes we are being destroyed, our liberties are being cancelled and our religions are under assault. (Note the new Human Rights Campaign to decertify any religious school which does not accept secular sexual values — and that many Democrat governors have kept casinos open while closing churches though the COVID-19 pandemic.) We also believe other Democrat-led COVID-19 policies have enriched the wealthy while crushing middle class small business owners (some 160,000 restaurants may close). In this context, let’s talk first about the recent past and the presidency: In 2016, I supported an outsider candidate, who was rough around the edges and in the Andrew Jackson school of controversial assaults on the old order. When my candidate won, it was blamed on the Russians. We now know (four years later) Hillary Clinton’s own team financed the total lie that fueled this attack. Members of the FBI twice engaged in criminal acts to help it along — once in avoiding prosecution of someone who had deleted 33,000 emails and had a subordinate use a hammer to physically destroy hard drives, and a second time by lying to FISA judges to destroy Gen. Michael Flynn and spy on then-candidate Donald Trump and his team. The national liberal media aided and abetted every step of the way. All this was purely an attempt to cripple the new president and lead to the appointment of a special counsel — who ultimately produced nothing. Now, people in my world are told it is time to stop resisting and cooperate with the new president. But we remember that the Democrats wanted to cooperate with Mr. Trump so much that they began talking about his impeachment before he even took office. The Washington Post ran a story on Democrat impeachment plots the day of the inauguration. In fact, nearly 70 Democratic lawmakers boycotted his inauguration. A massive left-wing demonstration was staged in Washington the day after, where Madonna announced she dreamed of blowing up the White House to widespread applause. These same forces want me to cooperate with their new president. I find myself adopting the Nancy Pelosi model of constant resistance. Nothing I have seen from Mr. Biden since the election offers me any hope that he will reach out to the more than 74 million Americans who voted for President Trump. So, I am not reacting to the votes so much as to the whole election environment. When Twitter and Facebook censored the oldest and fourth largest newspaper (founded by Alexander Hamilton) because it accurately reported news that could hurt Mr. Biden’s chances — where were The New York Times and The Washington Post? The truth of the Hunter Biden story is now becoming impossible to avoid or conceal. The family of the Democrat nominee for president received at least $5 million from an entity controlled by our greatest adversary. It was a blatant payoff, and most Americans who voted for Mr. Biden never heard of it — or were told before the election it was Russian disinformation. Once they did hear of it, 17% said they would have switched their votes, according to a poll by the Media Research Center. That’s the entire election. The censorship worked exactly as intended. Typically, newspapers and media outlets band together when press freedom is threatened by censorship. Where was the sanctimonious “democracy dies in darkness?” Tragically, The Washington Post is now part of the darkness. But this is just a start. When Twitter censors four of five Rush Limbaugh tweets in one day, I fear for the country. When these monolithic Internet giants censor the President of the United States, I fear for the country. When I see elite billionaires like Mark Zuckerburg are able to spend $400 million to hire city governments to maximize turnout in specifically Democratic districts — without any regard to election spending laws or good governance standards — I fear for the country. When I read that Apple has a firm rule of never irritating China — and I watch the NBA kowtow to Beijing, I fear for our country. When I watch story after story about election fraud being spiked — without even the appearance of journalistic due diligence or curiosity — I know something is sick. The election process itself was the final straw in creating the crisis of confidence which is accelerating and deepening for many millions of Americans. Aside from a constant stream of allegations of outright fraud, there are some specific outrages — any one of which was likely enough to swing the entire election. Officials in virtually every swing state broke their states’ own laws to send out millions of ballots or ballot applications to every registered voter. It was all clearly documented in the Texas lawsuit, which was declined by the U.S. Supreme Court based on Texas’ procedural standing — not the merits of the case. That’s the election. In addition, it’s clear that virtually every swing state essentially suspended normal requirements for verifying absentee ballots. Rejection rates were an order of magnitude lower than in a normal year. In Georgia, rejection rates dropped from 6.5% in 2016 to 0.2% in 2020. In Pennsylvania, it went from 1% in 2016 to .003% in 2020. Nevada fell from 1.6% to .75%. There is no plausible explanation other than that they were counting a huge number of ballots — disproportionately for Mr. Biden — that normally would not have passed muster. That’s the election. The entire elite liberal media lied about the timeline of the COVID-19 vaccine. They blamed President Trump for the global pandemic even as he did literally everything top scientists instructed. In multiple debates, the moderators outright stated that he was lying about the U.S. having a vaccine before the end of the year (note Vice President Mike Pence received it this week). If Americans had known the pandemic was almost over, that too was likely the difference in the election. The unanimously never-Trump debate commission spiked the second debate at a critical time in order to hurt President Trump. If there had been one more debate like the final one, it likely would have been pivotal. This is just the beginning. But any one of those things alone is enough for Trump supporters to think we have been robbed by a ruthless establishment — which is likely to only get more corrupt and aggressive if it gets away with these blatant acts. For more than four years, the entire establishment mobilized against the elected president of the United States as though they were an immune system trying to kill a virus. Now, they are telling us we are undermining democracy. You have more than 74 million voters who supported President Trump despite everything — and given the election mess, the number could easily be significantly higher. The truth is tens of millions of Americans are deeply alienated and angry. If Mr. Biden governs from the left — and he will almost certainly be forced to — that number will grow rapidly, and we will win a massive election in 2022. Given this environment, I have no interest in legitimizing the father of a son who Chinese Communist Party members boast about buying. Nor do I have any interest in pretending that the current result is legitimate or honorable. It is simply the final stroke of a four-year establishment-media power grab. It has been perpetrated by people who have broken the law, cheated the country of information, and smeared those of us who believe in America over China, history over revisionism, and the liberal ideal of free expression over cancel culture. I write this in genuine sorrow, because I think we are headed toward a serious, bitter struggle in America. This extraordinary, coordinated four-year power grab threatens the fabric of our country.
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Notes and Highlights of Kentucky Governor Andy Beshear’s Live Update September 29, 2020

Notes and Highlights of Kentucky Governor Andy Beshear’s Live Update September 29, 2020
Notes by mr_tyler_durden and Daily Update Team
Register for your Absentee Ballot here!
Watch here:
Headlines
Full Notes
(continued in stickied comment)
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Here's a list of places for people to go to in southern Oregon. That need help.

PLACES OFFERING SHELTER and TAKING DONATIONS
MEDFORD New Life Naz
CENTRAL POINT (currently under evacuation) At The Expo, Jackson County Fairgrounds, Oregon
ASHLAND Ashland High School - Ashland, OR Southern Oregon University
JACKSONVILLE Jacksonville Presbyterian Church
EAGLE POINT Eagle Point Community Bible Church
GRANTS PASS Josephine County Fairgrounds for evacuees with livestock Parkway Christian Center Edgewater Christian Fellowship Grants Pass Shopping Center parking lot ST Anne's catholic church Cascade mtn ranch Liberty pentecostals
Jackson/Josephine County Evacuation Sites contact information
Harvest Time Fellowship – 25 people for evacuation – Jerry Frasier 707-845-6310 345 2nd Street Gold Hill, OR Call to confirm room
Edgewater Christian Fellowship – 50 people – (541) 474-7172 101 Assembly Cir, Grants Pass, OR 97526
Add Cascade Mountain Ranch in Hugo and to contact Amy at 5418908435
East Evans Creek Community Center – 50 people (541) 582-6006 8205 E Evans Creek Rd, Rogue River, OR 97530
Items needed: Blankets, sleeping bags, walkers and wheelchairs. These items may be brought to Gate 3 at the Jackson County at 1 Peninger Road in Central Point.
Del Rio Winery in Gold Hill is accepting donations of clothing, sleeping bags, blankets, toiletries, non-perishable food, etc. And they also post a link to Rogue Credit Union if you want to donate to the fund being established for financial assistance. https://www.facebook.com/delriovineyards Douglas County Evacuation Sites
Glide Middle School parking lot Accepting horses only at the Douglas County Fairgrounds, 2110 Frear St, Roseburg
Tillamook County Evacuation Sites
Tillamook County Fairgrounds Washington County Evacuation Sites Mountainside High School, 12500 SW 175th Ave, Beaverton.
Clackamas County Evacuation Sites
Estacada School District – all campuses Clackamas Community College Livestock are being accepted at the Clackamas County Fairgrounds. Lincoln County Evacuation Sites
Chinook Winds Casino in Lincoln City Oregon Coast Community College in South Beach
Lane County Evacuation Sites
Thurston High School (333 58th St, Springfield, OR 97478) for those who were able to evacuate to the west. Those who evacuated east are encouraged to head toward the Deschutes County Fairgrounds in Redmond (3800 SE Airport Way).
Yamhill County Evacuation Sites
Yamhill County Fairgrounds – livestock safe sheltering Mountainside High School, 12500 SW 175th Ave, Beaverton Newberg High School at 2400 Douglas Avenue
A hotline has been established to answer questions regarding resources available to those affected by the fires and for updates. Citizens can call 503-474-4944. Coos County Evacuation Sites None listed currently
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What A Day: Give Earpiece A Chance by Sarah Lazarus & Crooked Media (09/29/20)

"I'm part of that community, and we love the man." - Eric Trump momentarily sending the LGBTQ community into deep despair

Ear Madness

The tension is palpable, the pundits are abuzz, and Facebook is blanketed with conspiracy theories about Joe Biden’s ear holes: We have arrived at the first 2020 presidential debate.
“But will the debates even matter this year,” you ask?
We’ll have a recap of the night in Wednesday’s What A Day, and you can watch along with us for real-time commentary, fact-checking, and borderline-fireable jokes (if we can keep up with John Kerry) in the Crooked Groupthread

Look No Further Than The Crooked Media

Once more for the people in the back: The first 2020 presidential debate between Joe Biden and Donald Trump is TODAY, September 29th at 9pm Eastern/6pm Pacific. Watch with us live on https://crooked.com/debate—we’ll be streaming the whole thing along with our Groupthread, where we and other familiar faces from the Crooked Media family will be breaking down what’s happening and giving our live commentary. Watch with us at https://crooked.com/debate

Under The Radar

The White House put enormous pressure on the CDC to downplay the risk of sending kids back to school. Trump administration officials, including Dr. Deborah Birx, repeatedly leaned on CDC officials to provide data that could illustrate a decline in cases and low risk of infection or death for school-age children—“a snazzy, easy-to-read document” to back up Trump’s demands that schools reopen before the election. Other members of the coronavirus task force were told to go around the CDC to find alternative data to support the White House’s position. Recent data shows that coronavirus cases, hospitalizations, and deaths have increased at a faster rate among children and teenagers, and it goes without saying that the Trump administration trying to circumvent science to put kids in danger for political gain should be an unrecoverable scandal.

What Else?

Global coronavirus deaths have surpassed one million, and that wrenching number is still likely a significant undercount.
Kentucky Attorney General David Cameron has agreed to release the grand jury records in Breonna Taylor’s case, after a grand juror filed a motion for their release. Cameron acknowledged that he never asked the jury to consider homicide charges against the officers.
DNI John Ratcliffe has declassified a Russian intelligence assessment suggesting that Hillary Clinton hatched a plan to tie President Trump to 2016 Russian election interference (a claim the U.S. intelligence community says we have no reason to believe) on the day of a presidential debate. A reminder that Trump’s political appointees, who are supposed to run the federal government, are now spreading election propaganda on his behalf.
New interviews with immigrant women who were pressured into unnecessary surgeries at a Georgia ICE facility revealed awful details about their treatment. In some cases Dr. Mahendra Amin listed symptoms that the women hadn’t experienced or reported in order to justify surgery, even while addressing medical issues that had nothing to do with gynecology.
President Trump mocks his Christian supporters in private, according to former White House aides, and unsurprisingly. Trump reportedly also made this sweet comment to Michael Cohen when he learned that Barron had a playdate with a Jewish girl: “Great, I’m going to lose another one of my kids to your people.”
New York City voters have been receiving absentee ballots with the wrong names and address on the ballot envelopes, which sure seems bad. Those voters will all be sent a second ballot, along with a letter explaining what happened.
A new study from South Korea found that 90 percent of recovered coronavirus patients reported experiencing lingering side effects. Your periodic reminder that fatality rates, bad as they are, don’t tell the whole story.
Federal Judge Emmett Sullivan suggested he’s not ready to throw out the case against Michael Flynn, during a hearing at which Flynn’s attorney admitted to personally updating Trump and White House lawyers on the case.
New York City’s coronavirus positivity rate has shot up to over three percent, partially as a result of new outbreaks in some Hasidic communities. If the city’s positivity rate stays that high for the next seven days, public schools will automatically close.
Meanwhile, test positivity in Florida, which just flung open all business at full capacity, is now at nearly seven percent.
Sarah Palin is jonesing for some attention, if anyone would like to charitably gawk.

Be Smarter

The second installment of the New York Times report on Donald Trump’s tax returns outlines how The Apprentice temporarily rescued Trump from financial ruin. After burning through the cash his father gave him and somehow managing to lose money as a casino owner, Trump netted some $197 million from the show itself, and another $230 million through the various endorsements, hotel deals, and scams he secured through his resulting fame. Trump then borrowed from his more lucrative ventures to buy and prop up his many money-losing golf resorts, at the same time that Apprentice ratings and his licensing deals were in decline. That brilliant move helped land him in the financial hole where he once again resides, at great risk to our national security.

What A Sponsor

Is docu-binging a thing? If it isn’t then it most definitely should be. CuriosityStream has thousands of streamable documentaries and non-fiction TV shows on topics like History, Nature, Science, Food, Technology, Travel, and more. Featuring 35 Collections of curated programs handpicked by their experts, including award-winning exclusives & originals. Streaming to any device for viewing anytime, anywhere. Sign up for just $14.99 for the whole year when you use code WHATADAY.

Is That Hope I Feel?

MIT researchers say the compact fusion reactor they’re building is likely to work, which could be a huge step forward in the fight against climate change.
A federal appeals court has upheld a six-day extension for counting absentee ballots in Wisconsin.
Some U.S. Postal Service employees have been quietly resisting Postmaster General Louis DeJoy’s harmful policies.
Gov. Gavin Newsom (D-CA) has signed a law allowing California to develop its own line of affordable generic drugs.

Enjoy

Jason on Twitter: "I will donate the remainder of my life income--whatever that may be and to whatever worthy cause--if Chris Wallace just asks Trump to name three novels. Just three! Name three novels. Three long books, you big dumb orange julius bitch"
submitted by kittehgoesmeow to FriendsofthePod [link] [comments]

Interview with playing card manipulator and magician Jeff McBride

Interview with playing card manipulator and magician Jeff McBride
WHO IS JEFF MCBRIDE?
Chances are you are reading this article because you already have some interest in playing cards. So maybe you've already heard of the name Jeff McBride. If you have, you'll already be familiar with his credentials, so you'll be itching to get straight the good stuff and read what he's got to say, because you know it's going to be worth reading.
But if you haven't heard of Jeff McBride before, let me tell you why this interview is a must-read: ● Are you into card magic? Jeff has been doing card magic his whole life, and is one of the very best in the world at card manipulation and sleight of hand. He has also been running his famous Magic & Mystery School for over 30 years. ● Are you into cardistry? Jeff's instructional Art of Card Manipulation videos were some of the foundational materials that shaped fathers of the cardistry movement like Dan and Dave Buck. Card manipulation is his speciality, and if there's anyone that we can learn a thing or two about card handling from, it's him. ● Are you into card collecting? Jeff's entire career has been built with a deck of cards in his hands, and he also collects some playing card memorabilia himself.
So if you are a playing card enthusiast in any way, this is a wonderful opportunity to learn from one of the greatest living card men. We were delighted when Jeff agreed to do this interview with us, and couldn't wait to hear some of his thoughts about various topics relating to his own career with playing cards. We even got opportunity to visit him at his own place, and take some photos of his memorabilia and more, which we have permission to show our readers for the first time! But first let's share some of his credentials, so that we can appreciate what he has to say in the context of his own accomplishments and achievements.

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Jeff McBride the Performer
Jeff McBride has had a love for magic that goes back to his childhood in New York's Catskill mountains, where he grew up. As a young boy he stumbled across The Golden Book of Magic in a library, which quickly became his first magic Bible. He performed gigs locally, did street performances, and eventually moved to Las Vegas, where he successfully built a career in magic, and performs his award-winning stage magic and runs a magic school.
His performance style is highly praised for its unique blend of traditional magic with a form of Japanese theater called kabuki. Drawing on an unusual mix of skills that includes martial arts, philosophy, and more, Jeff's stage act combines an unorthodox blend of sleight of hand with masks and mime, to create a unique show like no other. Besides his "home" stage in Las Vegas, he's performed on stages and in theaters around the world, including touring with The Illusionists. A Jeff McBride show never fails to showcase his dynamic, innovative, and creative personality, from someone who has proven himself over time to be a master entertainer, showman, and sleight-of-hand artist.
Jeff McBride's list of awards is too lengthy to cover all of them. But to mention just a few, he's received recognition from exclusive and respected organizations, including "Magician of the Year" by The Magic Castle's The Academy of Magic Arts and "Magician of the Year" by the Society of American Magicians. In 2018 the International F?d?ration Internationale des Societes Magiques (FISM) gave him their "Theory & Philosophy Special Award", in tribute for his lifetime contribution to magic from a viewpoint that is analytical and academic. This illustrious award has previously been given only to Tommy Wonder, Juan Tamariz, Eugene Burger, and Roberto Giobbi. Most recently in January 2020 he was inducted into the prestigious Hall of Fame by the Society of American Magicians. He is part of a very small group of living magicians that are part of this exclusive club, which includes David Copperfield and Siegfried and Roy. He's even the holder of three world records - don't worry, we'll be sure to ask him about that in our interview!
And of course he has appeared on television many times, already back in 1995 as part of the "World's Greatest Magic, and more recently on shows like Masters of Illusion, Criss Angel's Mindfreak, and Penn & Teller's Fool Us. But he's not just "another magician", as his selection as a judge for the 2008 reality celebrity-magic show Celebradabra confirms. Already more than ten years ago filmmakers produced a documentary about him, entitled Jeff McBride: A Magickal Life. This has been highly praised by magicians and viewers for how it shows his journey from a boy magician to a headline act in Las Vegas, and also his personal spiritual journey and development from a brash young man into a mature and caring magician who is keen to pass on the art of magic to the next generation. He really is one of the best.
Jeff McBride the Teacher
While the first part of his career was all about performing in his inimitable style, as the years have passed Jeff McBride has more and more mellowed into a highly respected teacher, with a keen interest in sharing his wisdom with others, and helping young magicians develop their skills in magic. Besides many written works, he's produced best-selling and highly influential instructional videos on the art of card manipulation, and on stage magic. His current passion is to serve as a sage that helps other magicians make their dreams as performers come true.
Perhaps his crowning achievement and lasting legacy is the McBride Magic & Mystery School, which he established in 1991. This is a world-renowned training ground for stage magic, and is generally regarded as the very best and most prestigious institution in the world for receiving magic instruction. There's simply no better place for aspiring magicians to go, in order to take seminars, classes, and workshops, to help raise their magic to a higher level, and to learn the true secrets of the craft.
Highly respected magician and lecturer Eugene Burger (pictured below with Jeff McBride) served as Dean of this school until his sad passing in 2017. It was from him that Jeff learned the importance of burning one end of your own candle in order to light someone else's candle. Many leading magicians have served on the faculty or as guest instructors, including big names like Lance Burton, Johnny Thompson, and Max Maven.
Jeff McBride is a wonderful entertainer himself, but his current passion is to be a mentor to others, and he will leave a lasting stamp in the lives of many magicians of the future. But now it's time for us to sit at his feet, and learn a thing or two from his life, and about his experiences with playing cards in particular.

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THE INTERVIEW
GENERAL BACKGROUND
For those who don't know anything about you, what can you tell us about yourself and your background?
I started my career with a pack of playing cards. Now I headline Las Vegas shows, and theaters and festivals all over the world. I also run a very successful magic school in Las Vegas, and I teach online.
I am one of the first magic teachers to create a video series, and my breakthrough videos on card manipulation taught the world how to perform flourishes and card manipulation, which happened to grow into a new cardistry movement. I was fortunate enough to train with great old-school masters and I put out The Art of Card Manipulation which caught on in Asia. The material contained within those DVDs - they were VHS videos at that time - did not need words to understand how to perform the magic, so they had international appeal. Many people like An Ha Lim and leading Asian manipulators found these, and my videos were their original training tools.
What would be some of the highlights in your career in magic?
Performing at Radio City Music Hall, the largest theater in the world with no screen support, no image magnification, and performing my card manipulation routine. The only other person that had that experience was Cardini. That was one of the highlights.
And of course, being inducted into the Society of American Magicians Hall of Fame. Also winning the FISM Special Award for Theory and Philosophy was a highlight. That's an award I share with Tommy Wonder, Juan Tamariz, and Eugene Burger.
How would you describe the style of the amazing act that you are known for?
I call it "sorcerer" style, which is very fiery and dynamic. There are many types of card routines, and mine is very explosive and dynamic. In fact during my touring seasons with the hit show The Illusionists, the closing number of the show was my card routine, just before the snow storm sequence. So my card routine can fill a giant theater. At that time of The Illusionists we were working a 7,000 seat theater. So my motto was "pack small, play big."
What were your major influences for this style of performance?
My influences came from many directions. I realized early on that performing standard magic was not a path to success. It was a path to working weddings, bar mitzvahs and birthday parties. In order to break out, I had to become a much more dynamic performer and I added other skillsets I had studied, like classic pantomime theater, which I'd studied at the American Mime Theater. I combined martial arts and my passion for masks and quick change, and dance. And it was this fusion of all of these different theatrical elements that made a huge difference. It was much more than magic, it was a total theatrical experience.
Where can people go to see you perform today?
I teach magic on a platform called MagicFlix. There's performances and tutorials. It's the world's leading streaming platform for magic. So you can immediately see me there. If you want to trial it, all you have to do is go to MagicFlix's website, enter your information, and put in the code MCBRIDE, and you can get 30 days for free. You can see not only myself, but the great masters of magic, and some of the great card magicians in history, as well as learn my card manipulation sequences.
Also if you want to see my live shows, I perform in Las Vegas at Wonderground, which is the longest running independent variety magic show in the history of Las Vegas. It is not attached to a casino, so we can do some pretty wild stuff! That's been running 11 years, and has hosted more variety entertainers on its stage than any other stage in Las Vegas.
What should we know about the McBride Magic & Mystery School, which has now been running for around 30 years?
It's now over 30 years. The McBride Magic and Mystery School came out of a great desire to study with masters. The challenge I see these days is that most people are learning magic from their peers, from people in their own age group. And not necessarily looking up the ladder at masters that have achieved great amounts of success.
So what I did 30 years ago, is I decided to host a retreat for masters to come and teach hungry students, mostly professionals, that were willing to empty their cup and fill up on wisdom and on the experience of great masters. And over the years we've had Eugene Burger, Johnny Thompson, Max Maven and many, many other masters come to the school to help our students understand the path to mastery. So not just learning from your pals online or at magic class, but really top-down training from experts in the field.
What are some of your interests outside of magic?
I spend a lot of time going to other conferences learning more skills on how to facilitate life-transforming experiences. So I spend a lot of time still studying how to teach more effectively, both in person and online.

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PLAYING CARDS & CARD MANIPULATION
You have set several Guinness World Records. What can you tell us about these?
I have three Guinness World Records, two of them for coin rolling, and one of them for card spinning. My Guinness World Record certificate states that I was able to "single handedly spin or scale a record of 106 playing cards within 60 seconds." That was set in 2004 for speed, for card throwing.
You are known for your skill in card manipulation. How would you distinguish magic from cardistry?
When they're fused together, they're indistinguishable, because of the flow state. Here are some flourishes, here are some card tricks - I think it can be seamlessly blended together. When I watch young cardists out there, I'm just amazed by the things that I see them doing these days. I'm totally delighted, and it's magical for me. Magicians that call cardistry "juggling" are just not getting what it's about. It's about entering a flow state, mastering these series of moves, and then pushing the envelope, until you have many of these different flourishes that you can string together seamlessly. That's the elegance of it.
What is one piece of work you have released that you'd like to be remembered by, or which might be of interest to the playing card enthusiast?
Anybody that watches Jeff McBride The Art of Card Manipulation will see how I researched all of the old school material and the stuff that I'd learned in my generation, and put it all together in one place. Those are the videos that the Buck twins - Dave and Dan - saw. Many of the people that first started card manipulation and cardistry saw me on those World's Greatest Magic specials back in the '90s that were filmed at Caesar's Palace. This was one of the first modern versions of card manipulation on TV.
So I think my series on The Art of Card Manipulation imprinted a lot of young magicians, young card handlers, and then the cardistry movement. I was not singularly responsible for that, but The Art of Card Manipulation was definitely essential fuel for it, because it was the most comprehensive card manipulation series ever put out.

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What advice would you give to a young person just starting to learn card magic or card manipulation?
Learn from your pals, but study in person with a great master. It will shave years off your learning curve.
Do you have any thoughts about the current boom in cardistry, and how this has become immensely popular in recent years?
The deck of cards is a great equalizer, isn't it? Here you have 52 objects, and now all you have to do is add your creativity and countless hours of practice and commitment to perfection. It's not like you can buy it. Acquiring the next magic illusion is quite different than acquiring the next impossible flourish with cards. You just can't do it, it has to come from the heart and soul. That's why I think cardistry became such a phenomenon. It doesn't have any language barriers, cultural barriers, or status barriers. All that separates one from being average or great is the commitment to perfection, artistry, and beauty.
What brand/type playing cards did you first use when you started magic and card manipulation?
I used every card I could get my hands on. There were bridge-size decks for card fanning that would have four different colors or four different patterns, so you could get the different color fans out of them. Really good fanning decks are sorely lacking today; I very rarely see any of these new decks being good fanning decks. But I would collect every thin card I could possibly find at that time. Very few people at that time were making flesh colored cards. Sometimes you had to strip cards down, and then paint them flesh colored, and use lots of powder to make them fan again.
Early on I used Crusaders, because in my teens that's what Jeff Sheridan was using, so I used Crusaders that you could get at Woolworth's. Bee cards are okay, but when they reach a certain age they just crack. A lot of the `old school' used and swore by the old Denver Plaids and the old Steamboats. So when I was in my tens and early teens (11-15 years old), there was a lot of Steamboats, and in my later teens I used Crusaders.
What brand/type playing cards do you mostly use today?
I switched over to my own brand, when I had my own cards printed by Phoenix (my cards are available on my site here). Phoenix really pays attention to their cutting and I'm very fond of Phoenix brand cards published by Christian Schenk from Card-Shark.
What do you think are the essential qualities of a good deck of playing cards?
The ability to fan them out of the pack, and their ability to faro shuffle. Those are the two prime ingredients. That they don't need fanning powder. That they're not too slippery, so you don't have to work with them too long to get the finish off, and that they faro well. I'm mostly a stage performer, and I do close up as well. I love some of the decks that you have, with the very whimsical face designs. But for me it's the way the cards handle more than the way they look.
Has the quality of playing cards has improved over the years?
Oh, absolutely. Absolutely the quality has improved over the years. The finishes these days and the deck designs are just incredible.

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What are your thoughts on the explosion of custom playing cards that we are seeing today?
For me personally, I don't see enough nice fanning decks. I would collect them, but they're not out there.
I think the next step for card collectors is: how do you store and display them? The serious person will start to make floor to ceiling displays for walls of cards with a giant ladder, like a library so you can have these decks on display. I've seen some people have little wall panels that will hold 20 decks or so, but how about something like a turning rack, like the racks for displaying CDs or a turning poster rack? If somebody could come up with some sort of system.
And now we have some place to display them and take them out, then the great question is: do I take them out of the box, or are they just sealed? Or do I always have to buy two decks - one to play with, one to keep sealed? I see people doing both.
However I have yet to see a really beautiful card collection display that goes beyond `decks in a drawer', or `decks on a wall', or `decks on a tabletop'. If you consider these cards art (and they are - the back designs and the front designs are art), how do you display this art? How do you put it in a frame, and how do you appreciate it? Do you put it in a shoebox and say "Here's my card collection"? Do you have it in a little wall display of 20 decks and say "Here are my 20 decks"?
What impact has crowdfunding like Kickstarter had on the custom playing card industry and collecting?
People feel part of the creation, and feel like they can be patrons of the art. It's like: "Oh, I can be part of this, I can be part of this creative process, I can be a co-collaborator." So that's a good thing that I'll say about it. People support what they help create, and people feel like they're helping create art. I think we need more people that are patrons of the arts. And playing cards is a very good way to share your wealth, and support other people's creative enterprises.
Do you recommend performing magicians get their own branded custom deck of playing cards?
Absolutely. But it depends on what impression you want to make. Some people like to use regular cards because they look very normal. I use my own cards because they're very special, and they have my name on them. If somebody looks at my cards, they'll say, "Wow, Jeff has his own brand of playing cards, he must be very good." You can drive a car, but you can design and manufacture your own car. Who do you deem more magical? Probably the person that's designed their own car.
And when I throw my cards into the audience, it's not the end of my show. It's the beginning of an adventure, because on the back the card it says: "Every card has a special meaning. To discover this card's secret, you have to go to my website." So now they have to go on this mysterious quest to find out the meaning of their card. It's a tarot information site. And when they get to my website after they catch one of my special cards, now they have an opportunity to pick an email address of a friend, and throw that card around the world to them. So I'm continuing the tradition that got me into magic; I'm throwing a card out and saying, "Here, pick this card." And they pick up that card in the audience, and hopefully it will take them on a magical adventure for the rest of their lives.
How many decks or cards have I gone through throughout the years? Tens of thousands. I go through at least two decks a show, for tens of thousands of shows.
Do you personally collect playing cards?
I'm not manic about it, but I collect good fanning decks. If a particular design of a more standard deck hits my radar, I'll pick it up. I like some of your decks, they're very beautiful.
Sometimes it's the box - it makes a statement. Sometimes the card box is the tuxedo for the cards. So the card box in my opinion has a lot to do with matching the performer's style and creating an aesthetic for the magical performance.
And it's even how you take the cards out of the box. If you read Roberto Giobbi's books, he's got very special ideas on how to remove the cards from the box, and how the box is put away. The Dean of the Mystery School teaches what he feels is the proper way to present a pack of cards out of your pocket, remove it from the deck gracefully, and place the box away. There are more refined ways to present a deck of cards to people than just tossing a box of cards on the table.
A deck of cards is a wonderful, mysterious, enchanting object. Fortunes are won and lost, and lives have come and gone on the turn of a single playing card. I live in Las Vegas, which is a town that was built on playing cards, divination systems, dice, and spinning wheels of fortune. Cards have an incredibly deep history and connection to mystery, and they're inherently very mysterious. So it's no wonder how people are attracted to their many different manifestations these days, whether it's a special box, or a back design, or a limited edition.

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Do you use playing cards for anything besides card magic and card manipulation?
I give very extensive workshops on the history of Tarot. We have an extraordinary collection of Tarot decks here, and also Tarot books. We also collected the greatest Tarot teachers from around the world to come and teach every year at the Las Vegas Tarot Summit.
Is there anything else you'd like to share?
I did an entire performance based on two cards. I did an off-Broadway show called Mask of the Mystic, and it was about two playing cards: the Magician card and the Fool card of the Tarot. I had originally designed an entire show around the Major Arcana of the Tarot cards back in the '80s, with a performance piece for each and every card. But the show was so dense with symbolism and meaning and complex, that I decided to keep it to just the first two cards. I played the Magician card, and a juggler named Michael Marlon played the Fool card, the innocent. There was a great dynamic between a trickster and an all too serious mage wizard character, and it was about the relationship between being blissfully ignorant, and being overly-fixated on the symbolism and meaning of magic.
That really sums up the experience with playing cards. Playing cards can be used for gambling. They can be used as a pastime to pass the time and play solitaire. They can be used for card magic. They can be used for cardistry. And for me, a deck of playing cards is a magic carpet that has taken me all over the world and has introduced me to incredible experiences, taken me to incredible places, and introduced me to all of the people I love most dearly in life.
So whether you're a fool just beginning your journey through the playing card story, or if you're at the end of your story as a wizard counting down your days, remember that there is a deck of playing cards - and perhaps a single playing card - that can change a person's life. So next time a person says "Pick a card," remember that this moment can change a life forever.

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CONCLUSION
It takes a lot for the Society of American Magicians to vote you into their Hall of Fame, especially when you're still active performing and teaching. Jeff McBride is one of the few in the world who can lay claim to being part of that select group.
Jeff is first and foremost a performer with a love for entertaining people, and the unique combination of elements that helps make his stage act stand out from other performers will always be a memorable trademark style that people associate with his name. But perhaps his lasting legacy will be the new role he has taken on as a sage and mentor to others. His Magic & Mystery School has been instrumental in producing new magicians who will continue to entertain us in years to come.
With this interview we've had a wonderful opportunity to have a glimpse of his thinking and learn about some of his experiences. Thank you Mr McBride for all that you've given to magic! May this inspire all of us to turn that pack of playing cards in our hands as a tool to develop our own skills, and to share our love for the arts with those around us!
Where to learn more? Check out Jeff McBride's resources here: - McBride Magic: Official site, promo video - Performance videos: Fool Us (2017), Masters of Illusion (2009), Masters of Illusion (2017) - Card manipulation: "Shaman Cards" performance, "King of Cards" performance - Magic & Mystery School: Official site, shop, Facebook - Social media: Facebook, Twitter, Instagram, Youtube - Teaching resources: MagicFlix (code: MCBRIDE), Art of Card Manipulation DVDs, Essential Card Manipulation video

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Author's note: I first published this article at PlayingCardDecks here.
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Interview with card manipulator Jeff McBride

Interview with card manipulator Jeff McBride
WHO IS JEFF MCBRIDE?
Chances are you are reading this article because you already have some interest in playing cards. So maybe you've already heard of the name Jeff McBride. If you have, you'll already be familiar with his credentials, so you'll be itching to get straight the good stuff and read what he's got to say, because you know it's going to be worth reading.
But if you haven't heard of Jeff McBride before, let me tell you why this interview is a must-read: ● Are you into card magic? Jeff has been doing card magic his whole life, and is one of the very best in the world at card manipulation and sleight of hand. He has also been running his famous Magic & Mystery School for over 30 years. ● Are you into cardistry? Jeff's instructional Art of Card Manipulation videos were some of the foundational materials that shaped fathers of the cardistry movement like Dan and Dave Buck. Card manipulation is his speciality, and if there's anyone that we can learn a thing or two about card handling from, it's him. ● Are you into card collecting? Jeff's entire career has been built with a deck of cards in his hands, and he also collects some playing card memorabilia himself.
So if you are a playing card enthusiast in any way, this is a wonderful opportunity to learn from one of the greatest living card men. We were delighted when Jeff agreed to do this interview with us, and couldn't wait to hear some of his thoughts about various topics relating to his own career with playing cards. We even got opportunity to visit him at his own place, and take some photos of his memorabilia and more, which we have permission to show our readers for the first time! But first let's share some of his credentials, so that we can appreciate what he has to say in the context of his own accomplishments and achievements.

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Jeff McBride the Performer
Jeff McBride has had a love for magic that goes back to his childhood in New York's Catskill mountains, where he grew up. As a young boy he stumbled across The Golden Book of Magic in a library, which quickly became his first magic Bible. He performed gigs locally, did street performances, and eventually moved to Las Vegas, where he successfully built a career in magic, and performs his award-winning stage magic and runs a magic school.
His performance style is highly praised for its unique blend of traditional magic with a form of Japanese theater called kabuki. Drawing on an unusual mix of skills that includes martial arts, philosophy, and more, Jeff's stage act combines an unorthodox blend of sleight of hand with masks and mime, to create a unique show like no other. Besides his "home" stage in Las Vegas, he's performed on stages and in theaters around the world, including touring with The Illusionists. A Jeff McBride show never fails to showcase his dynamic, innovative, and creative personality, from someone who has proven himself over time to be a master entertainer, showman, and sleight-of-hand artist.
Jeff McBride's list of awards is too lengthy to cover all of them. But to mention just a few, he's received recognition from exclusive and respected organizations, including "Magician of the Year" by The Magic Castle's The Academy of Magic Arts and "Magician of the Year" by the Society of American Magicians. In 2018 the International F?d?ration Internationale des Societes Magiques (FISM) gave him their "Theory & Philosophy Special Award", in tribute for his lifetime contribution to magic from a viewpoint that is analytical and academic. This illustrious award has previously been given only to Tommy Wonder, Juan Tamariz, Eugene Burger, and Roberto Giobbi. Most recently in January 2020 he was inducted into the prestigious Hall of Fame by the Society of American Magicians. He is part of a very small group of living magicians that are part of this exclusive club, which includes David Copperfield and Siegfried and Roy. He's even the holder of three world records - don't worry, we'll be sure to ask him about that in our interview!
And of course he has appeared on television many times, already back in 1995 as part of the "World's Greatest Magic, and more recently on shows like Masters of Illusion, Criss Angel's Mindfreak, and Penn & Teller's Fool Us. But he's not just "another magician", as his selection as a judge for the 2008 reality celebrity-magic show Celebradabra confirms. Already more than ten years ago filmmakers produced a documentary about him, entitled Jeff McBride: A Magickal Life. This has been highly praised by magicians and viewers for how it shows his journey from a boy magician to a headline act in Las Vegas, and also his personal spiritual journey and development from a brash young man into a mature and caring magician who is keen to pass on the art of magic to the next generation. He really is one of the best.
Jeff McBride the Teacher
While the first part of his career was all about performing in his inimitable style, as the years have passed Jeff McBride has more and more mellowed into a highly respected teacher, with a keen interest in sharing his wisdom with others, and helping young magicians develop their skills in magic. Besides many written works, he's produced best-selling and highly influential instructional videos on the art of card manipulation, and on stage magic. His current passion is to serve as a sage that helps other magicians make their dreams as performers come true.
Perhaps his crowning achievement and lasting legacy is the McBride Magic & Mystery School, which he established in 1991. This is a world-renowned training ground for stage magic, and is generally regarded as the very best and most prestigious institution in the world for receiving magic instruction. There's simply no better place for aspiring magicians to go, in order to take seminars, classes, and workshops, to help raise their magic to a higher level, and to learn the true secrets of the craft.
Highly respected magician and lecturer Eugene Burger (pictured below with Jeff McBride) served as Dean of this school until his sad passing in 2017. It was from him that Jeff learned the importance of burning one end of your own candle in order to light someone else's candle. Many leading magicians have served on the faculty or as guest instructors, including big names like Lance Burton, Johnny Thompson, and Max Maven.
Jeff McBride is a wonderful entertainer himself, but his current passion is to be a mentor to others, and he will leave a lasting stamp in the lives of many magicians of the future. But now it's time for us to sit at his feet, and learn a thing or two from his life, and about his experiences with playing cards in particular.

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THE INTERVIEW
GENERAL BACKGROUND
For those who don't know anything about you, what can you tell us about yourself and your background?
I started my career with a pack of playing cards. Now I headline Las Vegas shows, and theaters and festivals all over the world. I also run a very successful magic school in Las Vegas, and I teach online.
I am one of the first magic teachers to create a video series, and my breakthrough videos on card manipulation taught the world how to perform flourishes and card manipulation, which happened to grow into a new cardistry movement. I was fortunate enough to train with great old-school masters and I put out The Art of Card Manipulation which caught on in Asia. The material contained within those DVDs - they were VHS videos at that time - did not need words to understand how to perform the magic, so they had international appeal. Many people like An Ha Lim and leading Asian manipulators found these, and my videos were their original training tools.
What would be some of the highlights in your career in magic?
Performing at Radio City Music Hall, the largest theater in the world with no screen support, no image magnification, and performing my card manipulation routine. The only other person that had that experience was Cardini. That was one of the highlights.
And of course, being inducted into the Society of American Magicians Hall of Fame. Also winning the FISM Special Award for Theory and Philosophy was a highlight. That's an award I share with Tommy Wonder, Juan Tamariz, and Eugene Burger.
How would you describe the style of the amazing act that you are known for?
I call it "sorcerer" style, which is very fiery and dynamic. There are many types of card routines, and mine is very explosive and dynamic. In fact during my touring seasons with the hit show The Illusionists, the closing number of the show was my card routine, just before the snow storm sequence. So my card routine can fill a giant theater. At that time of The Illusionists we were working a 7,000 seat theater. So my motto was "pack small, play big."
What were your major influences for this style of performance?
My influences came from many directions. I realized early on that performing standard magic was not a path to success. It was a path to working weddings, bar mitzvahs and birthday parties. In order to break out, I had to become a much more dynamic performer and I added other skillsets I had studied, like classic pantomime theater, which I'd studied at the American Mime Theater. I combined martial arts and my passion for masks and quick change, and dance. And it was this fusion of all of these different theatrical elements that made a huge difference. It was much more than magic, it was a total theatrical experience.
Where can people go to see you perform today?
I teach magic on a platform called MagicFlix. There's performances and tutorials. It's the world's leading streaming platform for magic. So you can immediately see me there. If you want to trial it, all you have to do is go to MagicFlix's website, enter your information, and put in the code MCBRIDE, and you can get 30 days for free. You can see not only myself, but the great masters of magic, and some of the great card magicians in history, as well as learn my card manipulation sequences.
Also if you want to see my live shows, I perform in Las Vegas at Wonderground, which is the longest running independent variety magic show in the history of Las Vegas. It is not attached to a casino, so we can do some pretty wild stuff! That's been running 11 years, and has hosted more variety entertainers on its stage than any other stage in Las Vegas.
What should we know about the McBride Magic & Mystery School, which has now been running for around 30 years?
It's now over 30 years. The McBride Magic and Mystery School came out of a great desire to study with masters. The challenge I see these days is that most people are learning magic from their peers, from people in their own age group. And not necessarily looking up the ladder at masters that have achieved great amounts of success.
So what I did 30 years ago, is I decided to host a retreat for masters to come and teach hungry students, mostly professionals, that were willing to empty their cup and fill up on wisdom and on the experience of great masters. And over the years we've had Eugene Burger, Johnny Thompson, Max Maven and many, many other masters come to the school to help our students understand the path to mastery. So not just learning from your pals online or at magic class, but really top-down training from experts in the field.
What are some of your interests outside of magic?
I spend a lot of time going to other conferences learning more skills on how to facilitate life-transforming experiences. So I spend a lot of time still studying how to teach more effectively, both in person and online.

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PLAYING CARDS & CARD MANIPULATION
You have set several Guinness World Records. What can you tell us about these?
I have three Guinness World Records, two of them for coin rolling, and one of them for card spinning. My Guinness World Record certificate states that I was able to "single handedly spin or scale a record of 106 playing cards within 60 seconds." That was set in 2004 for speed, for card throwing.
You are known for your skill in card manipulation. How would you distinguish magic from cardistry?
When they're fused together, they're indistinguishable, because of the flow state. Here are some flourishes, here are some card tricks - I think it can be seamlessly blended together. When I watch young cardists out there, I'm just amazed by the things that I see them doing these days. I'm totally delighted, and it's magical for me. Magicians that call cardistry "juggling" are just not getting what it's about. It's about entering a flow state, mastering these series of moves, and then pushing the envelope, until you have many of these different flourishes that you can string together seamlessly. That's the elegance of it.
What is one piece of work you have released that you'd like to be remembered by, or which might be of interest to the playing card enthusiast?
Anybody that watches Jeff McBride The Art of Card Manipulation will see how I researched all of the old school material and the stuff that I'd learned in my generation, and put it all together in one place. Those are the videos that the Buck twins - Dave and Dan - saw. Many of the people that first started card manipulation and cardistry saw me on those World's Greatest Magic specials back in the '90s that were filmed at Caesar's Palace. This was one of the first modern versions of card manipulation on TV.
So I think my series on The Art of Card Manipulation imprinted a lot of young magicians, young card handlers, and then the cardistry movement. I was not singularly responsible for that, but The Art of Card Manipulation was definitely essential fuel for it, because it was the most comprehensive card manipulation series ever put out.

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What advice would you give to a young person just starting to learn card magic or card manipulation?
Learn from your pals, but study in person with a great master. It will shave years off your learning curve.
Do you have any thoughts about the current boom in cardistry, and how this has become immensely popular in recent years?
The deck of cards is a great equalizer, isn't it? Here you have 52 objects, and now all you have to do is add your creativity and countless hours of practice and commitment to perfection. It's not like you can buy it. Acquiring the next magic illusion is quite different than acquiring the next impossible flourish with cards. You just can't do it, it has to come from the heart and soul. That's why I think cardistry became such a phenomenon. It doesn't have any language barriers, cultural barriers, or status barriers. All that separates one from being average or great is the commitment to perfection, artistry, and beauty.
What brand/type playing cards did you first use when you started magic and card manipulation?
I used every card I could get my hands on. There were bridge-size decks for card fanning that would have four different colors or four different patterns, so you could get the different color fans out of them. Really good fanning decks are sorely lacking today; I very rarely see any of these new decks being good fanning decks. But I would collect every thin card I could possibly find at that time. Very few people at that time were making flesh colored cards. Sometimes you had to strip cards down, and then paint them flesh colored, and use lots of powder to make them fan again.
Early on I used Crusaders, because in my teens that's what Jeff Sheridan was using, so I used Crusaders that you could get at Woolworth's. Bee cards are okay, but when they reach a certain age they just crack. A lot of the `old school' used and swore by the old Denver Plaids and the old Steamboats. So when I was in my tens and early teens (11-15 years old), there was a lot of Steamboats, and in my later teens I used Crusaders.
What brand/type playing cards do you mostly use today?
I switched over to my own brand, when I had my own cards printed by Phoenix (my cards are available on my site here). Phoenix really pays attention to their cutting and I'm very fond of Phoenix brand cards published by Christian Schenk from Card-Shark.
What do you think are the essential qualities of a good deck of playing cards?
The ability to fan them out of the pack, and their ability to faro shuffle. Those are the two prime ingredients. That they don't need fanning powder. That they're not too slippery, so you don't have to work with them too long to get the finish off, and that they faro well. I'm mostly a stage performer, and I do close up as well. I love some of the decks that you have, with the very whimsical face designs. But for me it's the way the cards handle more than the way they look.
Has the quality of playing cards has improved over the years?
Oh, absolutely. Absolutely the quality has improved over the years. The finishes these days and the deck designs are just incredible.

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What are your thoughts on the explosion of custom playing cards that we are seeing today?
For me personally, I don't see enough nice fanning decks. I would collect them, but they're not out there.
I think the next step for card collectors is: how do you store and display them? The serious person will start to make floor to ceiling displays for walls of cards with a giant ladder, like a library so you can have these decks on display. I've seen some people have little wall panels that will hold 20 decks or so, but how about something like a turning rack, like the racks for displaying CDs or a turning poster rack? If somebody could come up with some sort of system.
And now we have some place to display them and take them out, then the great question is: do I take them out of the box, or are they just sealed? Or do I always have to buy two decks - one to play with, one to keep sealed? I see people doing both.
However I have yet to see a really beautiful card collection display that goes beyond `decks in a drawer', or `decks on a wall', or `decks on a tabletop'. If you consider these cards art (and they are - the back designs and the front designs are art), how do you display this art? How do you put it in a frame, and how do you appreciate it? Do you put it in a shoebox and say "Here's my card collection"? Do you have it in a little wall display of 20 decks and say "Here are my 20 decks"?
What impact has crowdfunding like Kickstarter had on the custom playing card industry and collecting?
People feel part of the creation, and feel like they can be patrons of the art. It's like: "Oh, I can be part of this, I can be part of this creative process, I can be a co-collaborator." So that's a good thing that I'll say about it. People support what they help create, and people feel like they're helping create art. I think we need more people that are patrons of the arts. And playing cards is a very good way to share your wealth, and support other people's creative enterprises.
Do you recommend performing magicians get their own branded custom deck of playing cards?
Absolutely. But it depends on what impression you want to make. Some people like to use regular cards because they look very normal. I use my own cards because they're very special, and they have my name on them. If somebody looks at my cards, they'll say, "Wow, Jeff has his own brand of playing cards, he must be very good." You can drive a car, but you can design and manufacture your own car. Who do you deem more magical? Probably the person that's designed their own car.
And when I throw my cards into the audience, it's not the end of my show. It's the beginning of an adventure, because on the back the card it says: "Every card has a special meaning. To discover this card's secret, you have to go to my website." So now they have to go on this mysterious quest to find out the meaning of their card. It's a tarot information site. And when they get to my website after they catch one of my special cards, now they have an opportunity to pick an email address of a friend, and throw that card around the world to them. So I'm continuing the tradition that got me into magic; I'm throwing a card out and saying, "Here, pick this card." And they pick up that card in the audience, and hopefully it will take them on a magical adventure for the rest of their lives.
How many decks or cards have I gone through throughout the years? Tens of thousands. I go through at least two decks a show, for tens of thousands of shows.
Do you personally collect playing cards?
I'm not manic about it, but I collect good fanning decks. If a particular design of a more standard deck hits my radar, I'll pick it up. I like some of your decks, they're very beautiful.
Sometimes it's the box - it makes a statement. Sometimes the card box is the tuxedo for the cards. So the card box in my opinion has a lot to do with matching the performer's style and creating an aesthetic for the magical performance.
And it's even how you take the cards out of the box. If you read Roberto Giobbi's books, he's got very special ideas on how to remove the cards from the box, and how the box is put away. The Dean of the Mystery School teaches what he feels is the proper way to present a pack of cards out of your pocket, remove it from the deck gracefully, and place the box away. There are more refined ways to present a deck of cards to people than just tossing a box of cards on the table.
A deck of cards is a wonderful, mysterious, enchanting object. Fortunes are won and lost, and lives have come and gone on the turn of a single playing card. I live in Las Vegas, which is a town that was built on playing cards, divination systems, dice, and spinning wheels of fortune. Cards have an incredibly deep history and connection to mystery, and they're inherently very mysterious. So it's no wonder how people are attracted to their many different manifestations these days, whether it's a special box, or a back design, or a limited edition.

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Do you use playing cards for anything besides card magic and card manipulation?
I give very extensive workshops on the history of Tarot. We have an extraordinary collection of Tarot decks here, and also Tarot books. We also collected the greatest Tarot teachers from around the world to come and teach every year at the Las Vegas Tarot Summit.
Is there anything else you'd like to share?
I did an entire performance based on two cards. I did an off-Broadway show called Mask of the Mystic, and it was about two playing cards: the Magician card and the Fool card of the Tarot. I had originally designed an entire show around the Major Arcana of the Tarot cards back in the '80s, with a performance piece for each and every card. But the show was so dense with symbolism and meaning and complex, that I decided to keep it to just the first two cards. I played the Magician card, and a juggler named Michael Marlon played the Fool card, the innocent. There was a great dynamic between a trickster and an all too serious mage wizard character, and it was about the relationship between being blissfully ignorant, and being overly-fixated on the symbolism and meaning of magic.
That really sums up the experience with playing cards. Playing cards can be used for gambling. They can be used as a pastime to pass the time and play solitaire. They can be used for card magic. They can be used for cardistry. And for me, a deck of playing cards is a magic carpet that has taken me all over the world and has introduced me to incredible experiences, taken me to incredible places, and introduced me to all of the people I love most dearly in life.
So whether you're a fool just beginning your journey through the playing card story, or if you're at the end of your story as a wizard counting down your days, remember that there is a deck of playing cards - and perhaps a single playing card - that can change a person's life. So next time a person says "Pick a card," remember that this moment can change a life forever.

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CONCLUSION
It takes a lot for the Society of American Magicians to vote you into their Hall of Fame, especially when you're still active performing and teaching. Jeff McBride is one of the few in the world who can lay claim to being part of that select group.
Jeff is first and foremost a performer with a love for entertaining people, and the unique combination of elements that helps make his stage act stand out from other performers will always be a memorable trademark style that people associate with his name. But perhaps his lasting legacy will be the new role he has taken on as a sage and mentor to others. His Magic & Mystery School has been instrumental in producing new magicians who will continue to entertain us in years to come.
With this interview we've had a wonderful opportunity to have a glimpse of his thinking and learn about some of his experiences. Thank you Mr McBride for all that you've given to magic! May this inspire all of us to turn that pack of playing cards in our hands as a tool to develop our own skills, and to share our love for the arts with those around us!
Where to learn more? Check out Jeff McBride's resources here: - McBride Magic: Official site, promo video - Performance videos: Fool Us (2017), Masters of Illusion (2009), Masters of Illusion (2017) - Card manipulation: "Shaman Cards" performance, "King of Cards" performance - Magic & Mystery School: Official site, shop, Facebook - Social media: Facebook, Twitter, Instagram, Youtube - Teaching resources: MagicFlix (code: MCBRIDE), Art of Card Manipulation DVDs, Essential Card Manipulation video

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Author's note: I first published this article at PlayingCardDecks here.
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